Blog

A go-to resource for funding resources, practical storytelling tips, creative insights, and powerful tools—plus personal musings, funding opportunities, curated mixes, and more. Updated regularly!

Sean Peoples Sean Peoples

The Long Return

It had been years since I had watched something of mine in a room full of strangers…

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Sean Peoples Sean Peoples

Start the Conversation

I used to believe the work was to have the conversation on screen. Now I understand that the work is to start it. Let one voice open the door to many. Let emotion be the first step, not the summary of the journey. When films try to carry every idea at once, the emotional thread frays. Characters flatten. The story thins. But when a film holds a single human truth clearly and honestly, it has room to breathe. And audiences have room to enter.

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Sean Peoples Sean Peoples

Authenticity as Strategy in the Age of AI Content

AI now drafts emails, edits videos, and translates campaign content at speeds that once required entire teams. For many nonprofits, this feels like relief. It offers efficiency, consistency, and the ability to scale communications with limited resources. But it also raises an uncomfortable question: what happens to authenticity when creation becomes automated?

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Sean Peoples Sean Peoples

Creativity Starts at the Top: How Executives Signal Permission for Storytelling

Executives often say they value creativity, but their organizations don’t always feel that way. Teams wait for approval. Ideas stall in email chains. Story projects shrink until they’re safe, predictable, and forgettable. The reason? People take their cues from leadership.

Creativity, like trust, is a behavior modeled from the top.

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Sean Peoples Sean Peoples

When the Storms Hit: Bearing Witness in Santa Cruz

In early 2023, a relentless wave of atmospheric rivers battered California’s Central Coast. Roads flooded. Power flickered for days. Our neighborhood in Santa Cruz’s west side sat under water. My wife and I were still adjusting to life with a newborn, counting bottles and hours of sleep while wondering if the next round of storms would reach our doorstep.

In those uncertain days, one of the few constants was Lookout Santa Cruz. Amid evacuation notices and flooded streets, their reporting didn’t stop. It was immediate, human, and rooted in community. At the center of that coverage was a photographer named Kevin Painchaud, who worked around the clock to show not just the damage, but the people behind the headlines.

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Sean Peoples Sean Peoples

5 Upcoming Documentary Funding Opportunities - Fall 2025

Here’s a short blog highlighting five upcoming opportunities with deadlines this fall. Each one is geared toward documentary makers at different stages of production, and together they offer a quick-hit guide you can bookmark, share, or return to as deadlines approach.

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Sean Peoples Sean Peoples

Stories on the Brink: Documentaries PBS Has Fostered and What We Stand to Lose

In my last post, When Public Media Fades, So Do Documentaries, I explored how the loss of $1.1 billion in CPB funding and PBS’s resulting 21 percent budget cut threaten the ecosystem of independent documentary filmmaking. This follow-up looks at the human side of those numbers by highlighting the kinds of films that public media has made possible over the years—work that may now be at risk if funding continues to erode.

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Sean Peoples Sean Peoples

When Public Media Fades, So Do Documentaries: What the PBS Cuts Mean for Filmmakers

In July 2025, Congress passed the Rescissions Act, eliminating nearly $1.1 billion in federal funding once distributed through the Corporation for Public Broadcasting (CPB). PBS responded by approving a 21 percent budget reduction, including a $35 million cut in dues from local member stations. On the surface, this looks like a financial adjustment. In reality, it threatens the foundation of independent documentary filmmaking in the United States.

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Sean Peoples Sean Peoples

75 Active Grants for Documentary Filmmakers in 2025: Part 1

Funding a documentary in today’s climate is more challenging than ever. To help you navigate this tougher environment, I compiled an ongoing series highlighting active documentary film grants from around the world. This is 75 active grants for documentary filmmakers in 2025: Part 1, each entry includes a short description, funding amount, and a direct link so you can learn more and apply.

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Sean Peoples Sean Peoples

Best Practices for Licensing Archival Footage (Beyond Public Domain)

When you're working on a film that relies on historical or found footage, public domain clips are a great starting point, but they're only part of the picture. Many of the most compelling archival materials are still protected by copyright and require formal licensing. In this post, I break down best practices for legally licensing archival footage beyond the public domain, helping filmmakers navigate rights, avoid costly mistakes, and tell powerful stories with confidence.

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Sean Peoples Sean Peoples

Grants vs. Fellowships vs. Labs: Which Is Right for Your Documentary

If you’re a documentary filmmaker looking for support on your next project, you’ve probably seen the terms grants, fellowships, and labs thrown around interchangeably. While they can overlap in purpose, each offers a very different experience, and choosing the right one can make a big difference in how your film moves forward. Below, we break down the differences between these three types of opportunities, what each typically provides, and how to decide which is the best fit for your current stage.

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Sean Peoples Sean Peoples

Documentary Funding Opportunities for Filmmakers in Fall 2025

This post is the second in a recurring feature of the blog, offering a seasonal roundup of the most timely and relevant opportunities for independent filmmakers. Below, you’ll find a curated list of active grants, fellowships, and labs that are currently accepting applications for fall 2025.

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Sean Peoples Sean Peoples

Narrative vs. Noise: What Stories Still Matter in the Attention Economy?

We are living in a loud moment. 

Every scroll, tap, and click is another voice in a crowded room trying to be heard. Attention is everywhere and nowhere. Stories spread fast, vanish faster, and most leave little behind. The sheer volume of content has made narrative harder to hear.

So the question becomes: what stories still matter?

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